‘Ketticè’ Review: An Amusing, Original Portrait of Adolescent Ennui Against a Backdrop of Adult Cluelessness

Giovanni Tortorici’s latest film, “Ketticè,” offers a refreshing take on the adolescent ennui genre. By contrast to often-rehashed depictions of angst-ridden teenagers, Tortorici masterfully juxtaposes genuine adolescent nihilism against the clueless world of adults.

The protagonist, Giulio, is a 16-year-old with every material comfort at his fingertips yet struggles to find meaning in his life. His aimlessness feels authentic because Tortorici has done extensive research on the experiences of young actors. As someone who understands their needs and desires, he captures the complexity of adolescent identity and belonging.

Tortorici’s use of visual language is playful yet expressive. The camera work often employs slow-motion, creating a sense of languidness that mirrors Giulio’s emotional state. This clever cinematography highlights the disconnect between his world of privilege and the harsh realities faced by those from lower socio-economic backgrounds.

One of the most striking aspects of “Ketticè” is its portrayal of class divisions in Italian society. The film’s characters are multidimensional beings with their own struggles and insecurities, rather than stereotypes. Vittoria, Giulio’s mother, played by Monica Bellucci, embodies the contradictions of bourgeois life through her acidic barbs at her mother-in-law during dinner table scenes.

The contrast between Giulio’s world and that of Ketty, the girl from the wrong side of the tracks, is stark. While Giulio’s parents’ wealth protects him from poverty’s harsh realities, Ketty knows what it means to truly struggle. Her presence in the film serves as a catalyst for Giulio’s growing awareness of his own privilege.

Tortorici’s ability to capture adolescent ennui without resorting to clichés is a testament to his skill as a director. He understands that angst is not the most interesting thing about a teenager; it’s their search for identity, connection, and meaning in a world that often seems indifferent to their needs.

The film’s soundtrack, featuring Lebanese singer Oumeima El Khalil, adds another layer of depth to the narrative. The song’s unexpected suitability serves as a metaphor for young people navigating different worlds and cultures.

As Giulio navigates his relationships with Ketty and his family, we’re reminded that adolescence is not just about self-discovery but also about learning to navigate adult life’s complexities. Tortorici’s film shows us that true understanding comes from listening to younger generations and honoring their experiences.

In an era where many coming-of-age stories feel formulaic and predictable, “Ketticè” stands out as a refreshing exception. It’s a testament to Giovanni Tortorici’s skill as a director that he can capture the essence of adolescence without relying on tired tropes.

The real challenge now is for other filmmakers to follow Tortorici’s lead by creating stories that capture the complexity and nuance of adolescent experience. Can they, too, create authentic portrayals that reflect our society’s willingness to listen and learn from the next generation? The answer lies in how films like “Ketticè” influence our understanding of youth and their place in the world.

As I watch Giulio drive away with Ketty, the camera panning out to reveal Palermo’s sprawling cityscape, I’m reminded that true growth comes from embracing complexity and uncertainty. “Ketticè” may be a film about adolescence, but it’s also a powerful reminder that we’re never too old to learn and grow.

In this era of instant gratification, where Netflix series are designed for binge-watching, “Ketticè” feels like a breath of fresh air. It rewards patience, attention, and reflection, rather than offering easy answers or resolution. Watch it for the way it captures the messy, beautiful chaos of being young.

Giulio’s character would ask, “What do you want to do when you grow up?” The answer lies not just in his own journey but also in how we choose to engage with the complexities of our world.